The room-filling installation investigates what artist Peter Halley, based on Foucaults writings on geometry as a disciplinary tool, called a (representational) "crisis in geometry". It employs a multitude of materials, media and forms to stage life within contemporary modernity in the aesthetics of the prison-industrial complex. Focusing on the metaphorical idea of a cellular existence, it ponders the transformative powers of solitary confinement: the penitentiary that wants to change the prisoner towards an adaption to society - and the inmate that grabs every inch of their surroundings, changing them in order to create even the most minimal forms of agency.